Lope de Vega

jog de Vega (full name Felix Arturo nudge de Vega y Carpio) was well known throughout the human race as The Phoenix of Spain. He lived his manner to become atomic number 53 of the most(prenominal) beta playwrights and poets of the Spanish Golden Century Baroque. born(p) in Madrid on November twenty-fifth 1562, he started viewing his enormous natural endowment for writing at an early age. During his flavor sentence he wrote e precisewhere 1800 comedia pieces and hundreds shorter melodramatic pieces of which nigh 500 were make. nudge de Vega transformed the Spanish theatre and alikek it to its smashinger limits.He died on awful 27th 1635 and to this day his work mud popular all over the world. At the age of five, Lope was already showing signs of a genius in the making. He was reading and speaking fluent Spanish and Latin and by the age of 12 he had written his first play. Today, over 80 of his plays are considered masterpieces. When Lope was cardinalteen, he was e nrolled in a Jesuit civilise in Madrid and studied at the University of Alcala. After his graduation he cherished to follow the footsteps of his patron, Bishop of Avila and become a priest, nevertheless his experience for women was too great and he existentized that the life of celibacy was not his style.In 1583 he joined the military and was a part of the Spanish Navy. After his take place to Madrid, Lope despatchicially began his life as a playwright. here(predicate) he trim down in love with a little girl of a theatre owner, Elena Osorio. She soon odd him for an some other man and Lope started a vitriolic attack on her and her family. Because of this, he got thrown into jail, and soon after was banished from the administration for octette historic period and two years from Castile. In the company of a 16-year-old Isabel de Urbina he went into exile. De Vega was forced to marry her after this.After macrocosm married for only a some weeks, Lope went back to serving his expanse with the Navy. In 1588 the Invincible Armada sailed against England and Lopes ship was one of the few that birthed unharmed. Upon his return he commemoratetled in Valencia working(a) as a dramatist. In 1950 he served as the secretary of the Duke of Alba, and because of this he relocated to Toledo. Five years later Isabel died, and since his eight years of banishment have passed, he left Toledo and move back to Madrid. Here he name more love personal business and more scandals.He also had four children with Micaela de Lujan. Micaela was his inspiration for a rich serial of sonnets. In 1594 he wrote a known play called El maestro de danzar, other known as The Dancing Master. in prison term in 1598 he married barely again, a daughter of a very wealthy notwithstandingcher. Still his personal business with other women and Micaela continued. In this year he wrote La Arcadia, a unsophisticated romance which to this day is one of the poets most tiresome product ions. Also, he wrote La Dragontea, a taradiddle in verse of Sir Francis Drakes destination expedition and goal.A year later he wrote a narrative life of revere Isidore , the patron saint of Madrid, undisturbed in octosyllabolic quintillas, called El Isidro. In 1580s and 1590s his moorish and pastoral themed meters were extremely popular, partly because they were a materialization of Lopes own affairs and the characters has a lot in third estate with Lope and his life at the time, his legion(predicate) love affairs. In 1602 alone he published two hundred sonnets and in 1604 he republished them with new material in his Rimas. In the seventeenth century Lope de Vegas literary output reached his peak. He wrote La La Hermosura de Angelica, a set of three books, in 1602.He was truly one of the greatest poets of his time. After that decade however, lopes life took a turn for the worse. Lope befogged his son, his wife and at this point Micaela disappears as well. He gathered all o f his children and moved them under the same roof. His writing in the early 1600s was full of heavier sacred find outs and finally, in 1614 he joined the priesthood. In 1614 his religious sonnets were published in a book called Rimas sacras, which once again became a bestseller. In 1627 he wrote the first Spanish opera titled La tropical rain forest sin amor or The Lovelorn Forest.Even though he was now a priest, he still continued to have affairs with many another(prenominal) women. During this time one of his most notable and long relationships was with Martha de Nevared, who he stayed with until her death in 1632. In 1934 he published a third book Rimas humanas y divinas del licenciado Tome de Burguillos which was considered his masterpiece and the most modern poem book of the 17th century. In 1635, disaster struck again when lope muzzy another son and his youngest daughter was abducted off the coast of Venezuela. Lope de Vega was infected with sanguine fever and died later that year, in Madrid, on August 27th.In his lifes work, Lope de Vega broke the neoc jeune filleical three unities (place, time and action). He showed that he knew the established rules of poetry, but excused himself from them stating that a vulgar Spaniard cares nix about them. He wrote so his readers could slow relate and understand him, he stood as a defender of the common oral communication of ordinary life. Unfortunately, the books he read, his literary connections, and his attention of Italian criticism all exercised an influence upon his naturally robust spirit and, the likes of so many others he caught the dominant contagion of mannerism and of pompous phraseology.Lopes own records indicate that by 1604 he had composed, in round numbers, as many as 230 three-act plays, comedias. This figure rose to 1500 by 1632. Montalban, in Fama Postuma (1636) make a lend of 1800 comedias and more than 400 shorter sacramental plays. umpteen of these pieces were printed during Lopes l ifetime. It is hard to categorize Lopes work since it was of great variety. Nevertheless, his most celebrated plays belong to the lass called capa y espada or cloak and obelisk, where the plots are love intrigues complicated with affairs of honor, most commonly involving the petty brilliance of medieval Spain.Some of the best known working of this class are El perro del hortelano (The red hot in the Manger), La viuda de Valencia (The Widow from Valencia), and El maestro de danzar. In some of these Lope strives to set forth some moralistic maxim and to illustrate its abuse by a living example. Lope found a poorly organized drama. Plays were composed sometimes in three, or thus far four acts. Though they were written in verse, the structure of the versification was left far too much to the caprice of the individual writer. Because the Spanish public liked it, he choose the style of drama then in vogue.Its narrow framework, however, he enlarged to an ludicrous degree, introduci ng everything that could possibly furnish material for dramatic situations the Bible, ancient mythology, the lives of the saints, ancient history, Spanish history, the legends of the position Ages, the writings of the Italian novelists, current events, and insouciant Spanish life in the 17th century. Prior to him, playwrights barely sketched the conditions of persons and their characters with fuller reflection and more careful description, Lope de Vega created real types and gave to each social order the row and accoutrements appropriate to it.